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Riversong Tradition 2 Performer Grand Auditorium

SKU 22933
C$ 5,648.49
In stock
1
Product Details

Tradition 2 Performer GA

Riversong Guitars are built with our NeckNology tech – a solid neck that runs the length of the instrument and which can be manually adjusted to YOUR preference.

The Tradition 2 Performer integrates thelatest and best features to come out of our custom shop. The top is anatural blend of Engelmann and Sitka Spruce called Lutz spruce from Canada’s Skeena Valley. This top has the power of Engelmann and the warmth of coastal Sitka. The back and sides are AAA Black Walnut. Fretboard is Walnut with Maple inlays. The integrated tone ring on the top gives a relief cut around the entire perimeter allowing it to resonate freely. This guitar has a rich dark sound that blooms evenly.

The dual comfort cuts on the top and back make this the most comfortable guitar to play.

Stock may vary, contact us for details.

For more information go to the Riversong Guitars website.

What’s Different about the Riversong Guitars – Tradition Series:

Adjustable Body Angle
Our action is raised or lowered by a simple adjustment of the body angle. Changing the body angle eliminated the need to adjust your action by destructively sanding your saddle and losing tone.

Tension Free Design
Our patent pending “Neck Thru” design reduces the tension across the guitar top allowing Riversong guitars to use less structural bracing and have more resonant area.

Adjustable Top Loading
Whether you use light or heavy gauge strings, Riversong has a system for adjusting the stiffness of your guitar top.

Adjustable Intonation
The neck can move in and out of the pocket where it sits allowing for micro-adjustments while under tension. NO MORE COMPROMISE ON INTONATION!

One-Piece 24 Fret Neck
Our neck runs continuously under the fretboard to the 24th fret for even tone and volume, while eliminating 14th fret hump.

Straight Pull Headstock Design
There is no sideways tension through the nut, resulting in better tuning stability and tone.

Less Kerf = More Tone
We use 1/3 the kerfing, and our top is directly connected to the side and back for better energy transfer.

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